
Schumann R., Fruehlingsbotschaft with the melody line in F+ for voice and piano
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Schumann R., Fruehlingsbotschaft in F+ for voice and piano
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, lll mvt., MM = 56dq
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, lll mvt., MM = 45dq
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, lll mvt., MM = 34dq
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, ll mvt., MM = 92q
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, ll mvt., MM = 74q
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, ll mvt., MM = 56q
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, l mvt., MM = 55q
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, l mvt., MM = 50q
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Bach C.P.E, Sonata Wq129 in D+ for Flute & Piano, l mvt., MM = 45q
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Rodrigo J., De donde venis, amore (from Cuatro madrigales amatories N. 3) for voice and piano
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Saint-Saens C., Pie Jesu (from Requiem Op. 54) for baritone - sacred
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Purcell H., Ah! How pleasant ‘tis to love in C+ for voice and piano
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Anonymous, Traditional song, Away ina Manger for voice and piano
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Anonymous, Traditional song, Silent Night for voice and piano
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Adam A., O holy night for voice and piano
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Pergolesi G.B., 5 - Largo from Salve Regina in A- for soprano – sacred
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Pergolesi G.B., 4 - Allegretto from Salve Regina in A- for soprano – sacred
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Pergolesi G.B., 2 - 3 - Allegretto e Larghetto from Salve Regina in A- for soprano - sacred
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Pergolesi G.B., 1 - Largo from Salve Regina in A- for soprano - sacred
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Barsanti F., No.1 Corn Riggs are Bonny from a Collection of Old Scots Tunes, in Eb, for Sax and Piano, MM=120q
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Barsanti F., No.1 Corn Riggs are Bonny from a Collection of Old Scots Tunes, in Eb, for Sax and Piano, MM=96q
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Barsanti F., No.1 Corn Riggs are Bonny from a Collection of Old Scots Tunes, in Eb, for Sax and Piano, MM=72q
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Anonymous, Amazing grace in F+ for voice and piano
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Haydn J., Theme of 1st MVT of Quartet Op. 77 no.1, in Bb, for Sax/Instrument and Piano, MM=150q
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Haydn J., Theme of 1st MVT of Quartet Op. 77 no.1, in Bb, for Sax/Instrument and Piano, MM=120q
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Haydn J., Theme of 1st MVT of Quartet Op. 77 no.1, in Bb, for Sax/Instrument and Piano, MM=90q
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Mozart W.A., Theme from 1st MVT of Sonata in C, in Eb, for Sax/Instrument and Piano, MM=120q
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Mozart W.A., Theme from 1st MVT of Sonata in C, in Eb, for Sax/Instrument and Piano, MM=96q
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Mozart W.A., Theme from 1st MVT of Sonata in C, in Eb, for Sax/Instrument and Piano, MM=72q
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Vivaldi A., Theme from 1st MVT of Concerto for 2 Trumpets, in Eb, for Sax/instrument and Piano, MM=120q
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Vivaldi A., Theme from 1st MVT of Concerto for 2 Trumpets, in Eb, for Sax/instrument and Piano, MM=96q
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Vivaldi A., Theme from 1st MVT of Concerto for 2 Trumpets, in Eb, for Sax/instrument and Piano, MM=72q
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$1.99
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Chaminade C.-Kreisler, Sérénade Espagnole for Violin and Piano, MM=60dq
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Chaminade C.-Kreisler, Sérénade Espagnole for Violin and Piano, MM=54dq
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Chaminade C.-Kreisler, Sérénade Espagnole for Violin and Piano, MM=48dq
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$1.99
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Schumann C., Warum willst du and’re fragen Op. 12 N. 11 in F+ for voice and piano
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Stebbins G., Out of my bondage, sorrow, and night
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Schumann C., Warum willst du and’re fragen Op. 12 N. 11 in G+ for voice and piano
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Schumann C., Warum willst du and’re fragen Op. 12 N. 11 in Ab+ for voice and piano
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Dell'Acqua E., Villanelle with the melody line for voice and piano
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Dell'Acqua E., Villanelle for voice and piano
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Viardot P., an hour of study (pag 44) with the melody line for voice and piano
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Viardot P., an hour of study (pag 44) for voice and piano
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Verdi G., Sacra la scelta….Ah! Fu giusto il mio sospetto! With the melody line (Miller) from Luisa Miller for baritone
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Anonymous, Traditional song, Peace Like a river for choir
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Bellini V., Sogno d’infanzia in C+ for voice and piano
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Bellini V., Il zeffiro in E- for voice and piano
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Bellini V., Dalla guancia scolorita (duet) in Bb+ for voice and piano
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Bellini V., A palpitar d’affanno in F- for voice and piano
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Bliss P., When peace, like a river for choir
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Tomer W., God be with you for choir
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Webster J.P., Sweet by and by (G major) for voice and piano
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Viardot P., an Hour of study (pag. 44) with the melody line for voice and piano
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Viardot P., an Hour of study (pag. 44) for voice and piano
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Viardot P. An hour of study (pag. 41) with the melody line for voice and piano
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Viardot P. An hour of study (pag. 41) for voice and piano
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Rossini G., Giusto ciel, in tal periglio with the melody line (Anna) from Maometto II for soprano
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Viardot P., an Hour of study N. 5 with the melody line for voice and piano
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